B.A. Sound Arts
UAL / London College of Communication
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GALLERY 45 INSTALLATION PROPOSAL

GALLERY 45 INSTALLATION PROPOSAL

18th January 2022
Milo Taylor
Exhibiting, Second Year

VISUAL SKETCH / DIAGRAM WORKTYPE: Cassette-based spatial sound installation TECH SPECS: 4 Cassette players (artists own), 4 tapes. 4 x plinths WORK DESCRIPTION: A Generative…

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Case Study: Janet Cardiff and George Bures Miller

Case Study: Janet Cardiff and George Bures Miller

10th January 2022
Milo Taylor
Exhibiting, Second Year

Rationale Binaural documentation on website.

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Case Study: Complex States Exhibition

Case Study: Complex States Exhibition

18th December 2021
Milo Taylor
Exhibiting, Second Year
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Touching Sound Art -  Curatorial Practices in West Germany

Touching Sound Art – Curatorial Practices in West Germany

8th November 2021
Milo Taylor
Exhibiting, First Year, Introduction to Sound Art, Second Year

Summary “By taking these exhibitions as case studies, this essay considers the crucial role of the sense of touch, coupled with the importance of the…

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Sound Art in China

Sound Art in China

1st November 2021
Milo Taylor
Exhibiting, First Year, Introduction to Sound Art, Second Year

Introduction Summary Ancient China: Expanded Sound Art? Echo Wall at the Temple of Heaven in Beijing: Why was this built? Were its sonic properties designed…

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Sound Installation Case Study: Ryoki Ikeda

Sound Installation Case Study: Ryoki Ikeda

18th October 2021
Milo Taylor
Exhibiting, Introduction to Sound Art, Second Year

https://www.wallpaper.com/art/ryoji-ikeda-180-the-strand-exhibition-review

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Sound Art in the British Context

Sound Art in the British Context

18th October 2021
Milo Taylor
Exhibiting, Introduction to Sound Art, Second Year

Introduction “What I’m trying out at this stage of my life is new formats, or new settings maybe, or formats and settings that have been…

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Basanta Quotes and my Reflective Commentary

Basanta Quotes and my Reflective Commentary

12th January 2021
Milo Taylor
Exhibiting, Second Year

In contemporary music discourse, form is defined as the overall structure of a concert work, the ‘constructive organising element’ (Whitall 2014) that‘[governs] the presentation, development,…

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